Mr. Tian Jiaqing has devoted himself to the study of Chinese classical furniture for many years. He has the deepest attainments in the research of ancient Chinese furniture structure, manufacturing process and Qing Dynasty palace furniture, especially Yuanmingyuan furniture. He has published many monographs and essays, among them, It is an industry-recognized masterpiece of Qing Dynasty furniture research. In recent years, based on his understanding of ancient furniture and a large number of Ming and Qing furniture restoration and practice activities, he designed and produced classic furniture with Ming style "Ming Yun" furniture series (works before 2002) and "Home Greenware" furniture Series (work after 2002), and published "Ming Yun-Tian Jiaqing Design Furniture Collection", which has attracted the attention of the industry.
The works of this special exhibition cover the creation of Mr. Tian Jiaqing for more than 10 years and comprehensively display his unique design concept of "furniture is an artwork carrying ideas". The biggest features of his works are in shape, design concept, furniture There are innovations in many aspects such as structure and craftsmanship, which are the perfect combination of traditional craftsmanship and modern style and aesthetics of the times. What is even more rare is that almost every work undergoes the process of designing ideas, drawing sketches, making small wooden samples, making large wooden samples, mapping and drawing to the actual production, and some of them have been completed over many years. The work is exquisite in craftsmanship and elegant in style, which vividly interprets the inheritance and development of traditional Chinese furniture. It is believed that these generous and generous classic furniture can present a feast of "new" classic furniture for fans.
There are two exhibits in this exhibition that can be said to subvert the traditional concept. In the past, there are very snobbish and popular old sayings of "persons are divided into three, six, nine, etc., and the wood is divided into rosewood and rosewood." It probably means that the value of wood is used to metaphorize people. High and low, but the author expressed the idea of ​​"people should not be divided into three, six, nine, etc." by using two different models of "sandalwood frame" in this exhibition. Both works use Huali as a generous independent The board is big, with red sandalwood as a pillar underneath. The rosewood and red sandalwood are put together to show their long and harmonious and courageous. The two completely different materials and values ​​of wood are used together to achieve a harmonious state. Ingenious masterpiece.
The exhibition will be on display from August 20 to September 20 (closed every Monday) at the Time Museum (35th Floor, Block D, World Trade Center, Central, South of China World Trade Center).
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